May 24, 2024

What Does It Mean to Own or Steal a Story?

In Yellowface, R.F. Kuang uses satire and absurdity to reflect on the publishing industry.

What Does It Mean to Own or Steal a Story?

In Yellowface, R.F. Kuang uses satire and absurdity to reflect on the publishing industry.

Dear reader,

I wrote Yellowface to explore two anxieties I have about the literary environment we live in.

First, I started drafting this story in early 2021, when many of us were still isolated from the friends and family we used to see on a regular basis. A lot of the writing community had moved online, and Iโ€™d noticed a lot of those online conversations had taken a strange, nasty turn. People seemed to take active glee in ripping others apart. I donโ€™t know if the Internet became more toxic as a result of our isolation, but I do think that interacting with others purely through a screen often leads to downward spirals of paranoia, jealousies, resentments, and willful misinterpretations. And even when things are ostensibly just fun and games, being a writer online seems to generate anxiety more than anything else. Iโ€™ve spoken to so many early-career writers about the immense pressure they feel to constantly perform in comparison to their peers. I wonder what all this is doing to our heads. Maybe it was a better time when we all knew less about each other. I donโ€™t know.


โ€œIโ€™ve spoken to so many early-career writers about the immense pressure they feel to constantly perform in comparison to their peers. I wonder what all this is doing to our heads.โ€


Second, as a scholar of Sinophone and Asian American literature, I am unavoidably concerned with problems regarding how authorial identity and textual interpretation intersect. Should the authorโ€™s background ever affect how we judge a novel? What does it mean to โ€œownโ€ or โ€œstealโ€ a story? What is authenticity? What do we owe the people we are writing about? What happens when we foreground authorial identity above all elseโ€“when we, for instance, pigeonhole Asian American writers as Asian before they are writers? For what itโ€™s worth, I donโ€™t think there are easy or obvious answers to these questions, and I remain suspicious of anyone who claims there are.

Yellowface similarly invites you to dig deep into some questions I think weโ€™ve been skirting for a while. But if all it does is inspire you to put your phone away and take a nice long walk outdoors, Iโ€™ll consider that my job well done.

Best,
Rebecca